What’s in your writing drawer?

Gwynn Scheltema

There’s plenty of advice out there on how to prepare your work for submitting, but what if, like me, your problem with submitting—is you!

Do any of these statements apply to you?

· You have completed work ready to send out that hasn’t been submitted ever.
· Many of your completed pieces have been waiting to go out for years.
· You have several projects that are “almost ready” to send out.
· You have pieces that you sent out once, had rejected and never submitted again.

“You must keep sending work out; you must never let a manuscript do nothing but eat its head off in a drawer. You send that work out again and again, while you’re working on another one. If you have talent, you will receive some measure of success – but only if you persist.”

— Isaac Asimov

Facing fear

You likely already know that the prime reason for not sending your stuff out is fear:

· of rejection (I‘m not as good a writer as I thought I was)
· of success (now I’ll have to do it again)
· of someone stealing my ideas (lack of trust of new people or situations)
· of facing the reaction of readers (don’t like to be judged)
. of rewrites and edits (what if I can’t do what they want)

What separates artists from ex-artists is that those who challenge their fears, continue; those who don’t, quit. Each step in the artmaking process puts that issue to the test.
― David Bayles, Art and Fear

Like eating well and exercising, you know what to do and why you should do it, but you can’t bring yourself to do so. So here are a few ideas to help you over that hump:

1. Join the club

We can’t control fears and feelings. Likely they are deep-rooted in our psyche. But we can find ways to move forward despite the fear.

Accept that pretty much every writer has these fears at one time or another. The trick is to accept it as part of the writing process. Embrace it and face it.

You will get rejected. It’s a given. But you will survive. You will live to write another day.

2. Let go

Ironically, the greatest feelings of self-doubt seem to come at the moment when the task is almost done. You want it to be perfect; the pressure to finish increases, and the knowledge that you will have to put it out there sits menacingly on your shoulder. But there comes a time when you must fight self-doubt and have faith in what you’ve created. You must let go.

If you don’t? What happens? Nothing. Your writing stays in the drawer. You beat yourself up for not moving forward. Nothing gets resolved.

3. Trust the Process

Fear focuses on unknown results of possible action. You can’t control unknown and possible. You can control process—and action. So start on the process of submitting; create a forward motion as a way to outwit, outrun, outsmart fear.

It’s hard, sure, but it’s the writing life. You can either face it or not. You can trust the process or live in fear. Your choice. The solution in your hands.

4. Get started!

· Set yourself a target date to have just ONE piece sent out.

Writers live by deadlines, so harness that attitude to help you submit. Make yourself publicly accountable—tell your writing buddy, your critique group, anyone who will call you on it.

· Break the process down into actionable tasks.

Submitting your work can feel overwhelming. But like any process, breaking things down into bite-size actionable pieces helps you to get started so that once begun, the task takes on a momentum of its own.

Try making a list for each stage of the process (which you can use again and again), and then tackle just one item on the list at a time. Tell yourself you only have to do one thing on the list. Chances are, once you get started, you’ll do a lot more. And each action you take will build your confidence. Focus on the idea that each small item is doable.

5. Don’t Stop!

By the sheer law of averages, the more submissions you make, the more publishing success you will likely have. Think of rejections as “acknowledgments” that you are doing what real writers do. You are submitting!

A good place to start is writing contests. Join Ruth E. Walker and Dorothea Helms in May for their popular workshop Write to Win.

If you want to start the process now, make a public commitment in the comments below to a date to have ONE submission completed. We’ll follow up and see how you did.

9 Tips for Writing Steamy Scenes

Gwynn Scheltema.

It’s February, the month for Valentines and all things romantic: love and…sex.

When I have to face writing sex scenes, I sometimes feel like I’m getting undressed in public. I feel like my mother is watching; like everyone will think I do all the things I describe. Do you ever feel that way?

Get over it.

Check out these 9 tips to help you.

Sex is emotion in motion.
~ Mae West

1. Don’t be afraid to write outside your own experience.

Research and write just as you would for any situation you haven’t experienced personally. Read sex scenes by other authors and note which resonate with you. Ask yourself why. I just finished reading Marissa Campbell’s Book, Avelynn. She expertly handles a full range of sexual encounters, from that first romantic kiss to attempted rape and a great deal in between.

2. Treat a sex scene like any action scene.

Have a reason to include it that involves advancing the plot or illuminating character, or developing a relationship.

3. Make your characters human.

Keep your characters human, flawed people, not a larger-than-life Adonis or Aphrodite. While romance has an element of wish fulfillment about it, if you make it so like a fairy tale, some readers won’t believe it.

4. Keep the sex real.

Sex is not always spectacular; it can be boring, mundane, or unsatisfying too. And it doesn’t always have to be completed. Interrupted sex can be quite a tease.

5. Get the timing right.

Don’t let things get hot and heavy in the most unlikely of moments and places in your plot. Don’t shove sex in because it’s been four chapters since the last tryst. Remember tip #2.

6. Get the choreography right.

Not just on a physically level, but on an emotional level too. Physically, make sure your transitions let us know if someone goes from standing to lying, or from facing to spooned. More importantly, let us know their emotional reactions and changes. The physical act by itself is just porn.

7. Be careful of metaphor and simile.

Clichés about “stars exploding“ will only undermine what you are trying to do. Find fresh and appropriate comparisons and don’t hide behind them to avoid being explicit or to add drama. And remember that sex involves all five senses. Use them!

8. Use the correct terms and don’t be offensive.

Research if you have to. If euphemisms pepper your scene, you’ll leave the reader giggling or cringing. Also be aware of the accepted sexual practices of your genre and age group and stay in those boundaries.

9. Keep the scene brief.

Sometimes less is more. Subtle hints are often more effective than graphic description. Give readers enough to satisfy the moment, but leave them wanting more.

Have fun with it

Remember how you felt when you first discovered that French kissing involved touching tongues? As a teen, did you practise on your arm or the mirror? What about your first kiss?

Kisses come in so many forms: passionate, wet, teasing, rough, slow… In 50 words or less, write about a kiss—fun, steamy, chaste…. Post it in the comments below.

[By the way…for a great workshop on characters, check out Ruth’s Character Master Class on March 5.]

Can You Write While Travelling?

Ruth E. Walker. My husband and I were visiting our son, daughter-in-law and grandsons in the Texas Panhandle last month. We had a hotel booked for most of the visit so I thought I might have time to do a bit of writing. After all, during the week, our grandsons were in school and their parents were working. Free time, I thought.
Hah! I’d forgotten how exhausting and complicated travel can be. Most of our “spare time” was spent in busy mode (planning and taking day trips, helping out around the house, etc.) Any other spare time was devoted to recovery mode: sleeping. (Grandparents everywhere will understand this.)

So I didn’t write. At least, not on paper.

The thing about travel is that you experience difference and, for writers, difference is pure inspiration gold. While we have been to Texas a few times in the past few years, it’s still intriguing to see men strolling through the modern Dallas airport, sporting wide-brimmed Stetsons and stylish leather jackets. There’s a kind of Texas-walk — confident and straight-ahead. And Texas talk, too — How y’all doin’? (If there is a group of you, it becomes: How all y’all doin’?)

There’s difference in food. Biscuits and gravy is on almost every menu and Taco Bell Texas figured out how to work it in: get your taco fixings in a tea biscuit. Before ordering iced tea in restaurants, I remember to ask for “sweet tea” or it comes decidedly unsweetened.

And in every Texas hotel we’ve ever stayed at, the waffle irons at the “Breakfast Included” stations are in the shape of the state.

So what does this have to do with writing? Being somewhere different — whether on vacation or on a writing retreat — it tickles your mind and your senses. Sour gas odours from the oil wells. Billboards touting Texas Pecan Company offering nut cracking services. Pecans fresh from my son’s front yard tree (and cracked locally.) The sticky and soft texture of a white tail deer’s tongue and lips taking a carrot from my hand. The quick intake of passengers’ breath when our plane hit strong turbulence coming home.

In short, the senses are on overdrive. For me, that usually results in my imagination working overtime, and it was certainly the case this time.

I’ve come home with an idea for a play. It’s rough. It has nothing to do with Texas. But it does have a lot to do with airplanes that encounter far more than turbulence. I’m excited just thinking about the possibilities of that play, of the characters, of the idea behind it all. Once I finish my current manuscript, I’ll be working on that script. I might even work in something about waffles. And pecans. And maybe even Texas. Or maybe none of it will end up in the play. Just the plane. Or maybe just the turbulence.

Remember that writing is not always about putting words on paper. Sometimes writing is all in your mind, full of inspiration and potential, just waiting its turn to land on your page.

Registration for Turning Leaves 2018

Registration for TURNING LEAVES from November 2 to 4, 2018.

Note: Writing Organization Discounts are offered to members of WCDR, WCYR, WCSC, HHWEN, SOH, TWUC, PWAC, MAA and CAA. Other groups please query.

NOTE If you have attended 5 or more Writescape residential retreats, you qualify for a special one-time $100 discount for this retreat. When you register, be sure to note it in the comments so we can adjust your full payment.

To secure your spot with a non-refundable deposit. Go to Section 1
To pay the full amount on registration. Go to Section 2
The balance is due by September 1. Go to Section 3
To register for the day rate. Go to Section 4.

Please note that HST will be calculated at checkout. HST # 821104853RT0001

Section 1

Non-refundable deposit

~~$250.00 Lakeview Room Single Occupancy~~ FULL

$250.00 Landview Room Single Occupancy Deposit

$250.00 Landview Room Double Occupancy Deposit Note: If you have a preferred roommate, please enter the name of your roommate in the comments section on the PayPal screen or email us at info@writescape.ca. If you don’t have a roommate, we will do our best to accommodate you but can’t guarantee double occupancy.

Section 2

Lakeview Room Single Occupancy FULL

~~$895.00 Full Fee Lakeview Room Single Occupancy~~

~~$865.00 Full Fee Lakeview Room with Writing Organization discount [WCDR etc]~~

~~$835.00 Full Fee Lakeview Room with Writing Organization AND alumni discount~~

Landview Room Single Occupancy

$865.00 Full Fee Landview Room Single Occupancy

$835.00 Full Fee Landview Room Single with Writing Organization discount

$805.00 Full Fee Landview Room Single with Writing Organization AND alumni discount

Landview Room Double Occupancy

Note: If you have a preferred roommate, please enter the name of your roommate in the comments section on the PayPal screen or email us at info@writescape.ca. If you don’t have a roommate, we will do our best to accommodate you but can’t guarantee double occupancy.

$795.00 Full Fee Landview Room Double Occupancy

$765.00 Full Fee Landview Room Double with Writing Organization discount

$735.00 Full Fee Landview Room Double with Writing Organization AND alumni discount

Section 3

Lakeview Room Single Occupancy FULL

$645.00 Balance Lakeview Room Single Occupancy

$615.00 Balance Lakeview Room with Writing Organization discount [WCDR etc]

$585.00 Balance Lakeview Room with Writing Organization AND alumni discount

Landview Room Single Occupancy

$615.00 Balance Landview Room Single Occupancy

$585.00 Balance Landview Room Single with Writing Organization discount

$555.00 Balance Landview Room Single with Writing Organization AND alumni discount

Landview Room Double Occupancy

$545.00 Balance Landview Room Double Occupancy

$515.00 Balance Landview Room Double with Writing Organization discount

$485.00 Balance Landview Room Double with Writing Organization AND alumni discount

Section 4

Day Rates

(complete weekend program except for breakfasts and accommodations)

$475 Day Rate

$445 Special Day Rate with writing organization discount

PLEASE NOTE: When you hit the “Add to Cart” button, the PayPal order will show up at the top of the column to the right. To be taken to PayPal to finish your purchase, click on the yellow PayPal button. You can use a credit card on the PayPal site – you do not have to have a PayPal account.

MAIL IN REGISTRATION FORM PDF

When payment is received, a Writescape representative will contact you by email to confirm

Tasting the Page: Beyond the Five Senses

With Gwynn Scheltema

In this one-day workshop:

challenge your reader’s perceptions and assumptions
deepen your powers of description
learn new descriptive techniques to give greater weight to your narrative voice.
master how to add description without slowing the narrative.

Don’t let your fiction be left on the plate. Prepare it gourmet style and your readers will beg for more.

Have fun experimenting with creative writing exercises that make your writing live. We’ll munch our way through a smorgasbord of fiction foods from image and emphasis, to movement, theme, and syntax.

Come prepared to go new places and try new things.

As past participants have said, “You provoked me into thinking of new ways of approaching my writing,” and “Your exercises were great—inspiring, short, but effective. You let us try lots of different things.”

Writing for Children

with Erin Thomas and Gwynn Scheltema

Do you love children’s books? Do you still remember the characters that you cared about as a child? Have you ever wanted to write a picture book or novel that kids will read over and over again?

Writing for Children introduces you to the basics of writing for young readers. Come find out what publishers look for, and what makes writing for children different from writing for adults.

You’ll learn how to write for different age groups and different reading levels within those age groups. You’ll discover the importance of engaging dialogue and find out how to make your characters come alive. You’ll see how plot and scene structure can strengthen your story, and you’ll explore ways of finding inspiration.

This hands-on six-week workshop series is packed with activities, opportunities to practise your new skills, and written and oral feedback on your work from two powerhouse facilitators.

Watch Your Language AND From Inspiration to Publication

Gwynn Scheltema and Ruth E. Walker are at the Ontario Writers’ Conference.

Gwynn is offering an advanced class: Watch Your Language. Dialect, foreign languages, accents and other linguistic touches provide diversity and authenticity to dialogue. Gwynn will help participants avoid character stereotypes so that what is being said is not overshadowed by how it’s being said. Gwynn’s popular workshops at the OWC are consistently highly rated and fully booked.

Ruth’s beginner workshop From Inspiration to Publication invites new writers to play with words through hands-on exercises and fun activities. Participants will risk a little and try on different forms of creative writing. Useful handouts offer tips on submitting material to the right market. Ruth will also serve as a Blue Pencil Mentor, offering helpful feedback in one-on-one discussions with writers about their manuscripts.

Gwynn and Ruth have been at the OWC since it launched, facilitating workshops, mentoring writers and enjoying the many speakers and learning opportunities that a comprehensive conference like this has to offer.

To register, visit the Ontario Writers’ Conference.

Turning Leaves 2017

November 3 – 5, 2017

Vicki Delany: One woman crime wave comes to Turning Leaves

With more than 20 books to her credit, Vicki Delany is a fearless full-time writer, tackling the adult, reluctant reader and YA markets with her mysteries, suspense novels and police procedural titles. Past Chair of Crime Writers of Canada, Vicki is also a member of Capital Crime Writers and Sisters in Crime. She writes as Vicki Delany and Eva Gates.

Enjoy a Friday evening fireside chat with Vicki and a Saturday morning workshop where more than the secrets of writing a great mystery will be revealed. All stories need a mystery at their heart.

Here’s a brief excerpt from her author’s bio: In 2007, Vicki took early retirement from her job as a systems analyst with a major bank and sold her house in Oakville, Ontario. At that time In the Shadow of the Glacier, the first book in a police procedural series set in the British Columbia Interior was published. After travelling around North America for a year with her dog, Shenzi, she bought a home in bucolic, rural Prince Edward County, Ontario, where she rarely wears a watch and can write whenever she feels like it.

Interview with Vicki

Turning Leaves 2017 brochure

REGISTRATION IS NOW OPEN

A $250 non-refundable deposit will secure your place in this retreat.

At Turning Leaves, we build a retreat for the writer and the writing:

workshops to fire up your pen
creativity and group sessions to inspire you
private, uninterrupted writing time in cottage country setting
tailor your retreat to suit your needs


Chatting over dinner in the Heritage Dining Room

Meals and accommodations:

lakeview dining in the Heritage Dining Room
private or shared accommodation in Fern’s Fireside Inn
rooms have wood-burning fireplace, fridge, free WiFi
Fern Resort is 90 minutes from Toronto in a quiet bay on beautiful Lake Couchiching

Resort amenities:

indoor pool, Jacuzzi, steam room, sauna
exercise room
nature trails, outdoor jogging track
spa treatments (by appointment, extra charge)
onsite pub (additional charge)

Fees

Lakeview Room Single Occupancy $875
Landview Room Single Occupancy $845
Landview Room Double Occupancy $775
Day Rate $475

Discounts

Retreat alumni $30
Members of writing organizations $30

REGISTER NOW A $250 non-refundable deposit will secure your place in Turning Leaves 2017

PLEASE NOTE: When you hit the “Add to Cart” button, the PayPal order will show up at the top of the column to the right. To be taken to the secure PayPal to finish your purchase, click on the yellow PayPal button. You can use a credit card on the PayPal site – you do not have to have a PayPal account.

Questions? info@writescape.ca