Sometimes what happens in our lives has a weird way of being reflected in our writing journeys. It’s a bit like the universe has a sense of humour. And sometimes, we get to laugh. Or at least smile.
At the end of winter at the cottage, it was lovely to see the deep snowdrifts finally melt. Of course, there were also lots of cold snaps, so that the melt was often stopped in its tracks. That included on the roof of our screened porch. Melt freeze. Melt freeze. Melt freeze. We were unable to get up to the cottage for a couple of weeks to check for ice. The ice dam formed. And then the April rain came.
it was raining inside the screened porch. A dozen buckets could barely keep up.
So my husband and I got on top of the roof, for hours scraping off the ice build up. Finally, all the ice was cleared off.
Sifting through a mess
But the damage was done. Not only did we have to replace the roof but some walls, insulation and flooring had to be ripped out. Then, time to shore up the foundation. Add new load-bearing beams.
Given some moments to rest between ripping out and building back up, I had some time to reflect. It is, I thought, a lot like editing.
Which is what I am doing with my novel in progress. The story explores some turning points in my character’s childhood, teen years and his life as a young man. As the novel is based on an old Breton fairy tale, I wrote earlier drafts all in chronological fashion. Once upon a time…to…They lived happily (ahem) ever after.
But I’ve come to realize the novel isn’t quite working in that structure.
Renovate buildings…or books
So I’m ripping out walls (chapters.) Re-positioning the roof (plot.) Shoring up the foundation (thematic elements.) And adding load-bearing beams (character development.)
the repairs to our screened porch, I’m making discoveries as I go.
If you have to re-position the screened room roof, you need to consider the roof line of the main (original) building. So, as I’m playing with the plot, I wonder how far I can deviate from the original fairy tale.
Pretty far as it turns out. Just like the screened porch’s roof revision.
Advantages to major repairs
The porch’s new roof line meant walls needed to be built higher. So why not add regular windows instead of the nailed-in screens if we’re doing that? And how about a patio door to bring in more light? And let’s insulate under the floor instead of just the walls. A 3-season room takes on new life for all four seasons.
So as I work with my novel’s plot, I’m bringing in new characters, new scenes, new possibilities to raise the stakes for my character. I’m picking the pockets of other old fairy tales, travelling the world of fable and fabrication to discover ways to enrich the story. Taking a page from the braided essay format, I’m tossing aside chronological structure and weaving together childhood, teen years and adult life.
work? Well, I hope so. But even if I end up back with the chronological
beginning-to-end structure, I have far more to work with than when I finished
the original draft.
It’s a whole new look. And I think I’m moving in.
If you want to see Ruth’s Haliburton cottage porch reno in progress, come to her all-day workshop Saturday June 15. Create Compelling Characters will offer writers a series of hands-on exercises and inspiring explorations of character in fiction, memoir and nonfiction. Nestled among the pines, overlooking the lazy river, it’s a location that holds inspiration and the echoes of writers who’ve written their novels in The Rustic.
This week we welcome Writescape alumnus, Donna Judy Curtin as she shares her writing dreams and 5 ways to actualize them. You can find other writing-related blogs by Donna at Ascribe Writers blog.
Guest blogger: Donna Judy Curtin
In Grade Two, I declared I was going to become a veterinarian and even though my personality quizzes in high school suggested I would make a better florist, my heart was set on becoming an animal doctor.
I’m nothing if not determined.
And I’m great at dreaming.
Throughout my gruelling university undergraduate courses, I kept visualizing the moment I would receive my acceptance letter to the Ontario Veterinary College. I could hear the envelope ripping, smell the glue, feel the rasp of the paper between my fingers, see the welcoming words on the page and when I was exhausted and frustrated and about ready to give it all up… I imagined a victorious jump into the air with a viscous fist pump.
This wasn’t actually how this moment occurred. I called the College to check on something and a very kind receptionist informed me, when I wasn’t expecting it, that I was listed as a member of the OVC class of 2002. I think I fell off the phone (if that’s even possible). After picking up the receiver, I remember stuttering out, “What did you say?” as the tears rolled down my cheeks.
These precious moments never happen exactly how we imagine them, but regardless, we need to keep envisioning them.
Since I started writing seriously, I’ve been picturing small successes. At first I dreamed of completing my first novel, then it was editing that novel. When I needed a break from my first story, I started writing the sequel, which led me back to edit the first novel again and again and again. Then I began to dream of completing a trilogy and started to imagine getting all three books published as a series.
Now, my new adventure is QUERYING.
This is by far the scariest thing I have ever done. It is bold, fearless and requires stripping down to bear my heart for all to see… but I know it’s time to get out there and I’ve given myself a very specific goal for this year – to find an agent who loves my story as much as I do.
In order to stay motivated, I’m going to embrace the actualization that helped me to get into Veterinary School, because there is no better time than now to have something to motivate me through the hard work.
I’m going to reach for the moon and grasp onto the stars.
What are your writing goals?
Can you imagine how it will look and feel when you get there?
Have you shared these goals?
Here’s how to get started…. 5 Ways to Actualize Your Writing Dreams
ONE – WRITE IT DOWN
Even if it’s only in your private computer, write your dreams down. Make them real. Live them.
TWO – START SMALL
Pick a fun goal. Something you can completely achieve.
One of my goals is to make the front cover of the Cargill Area News. It started out as a joke about ten years ago, but now, I want this in earnest. The Cargill Area News, locally and lovingly called the CAN, is our village newspaper. The heart and soul of the paper is the editor, Brian, this imaginative and friendly man who still publishes poetry to his now deceased love and wife. Someday, I will make the cover of the CAN as a published novelist. I can see my smiling face in black and white, holding up my book.
THREE – UPDATE YOUR DREAMS
You need to revisit your dreams often – in order to be sure they are still relevant. It won’t do to still dream about sitting on Opera’s couch for a book discussion. She’s moved on and so must you.
My other goal was to see my book on display at our local bookstore. My veterinary practice is located in a pretty small town. We don’t have an Indigo or Chapters, but we have a quality local bookseller. I had this vision of popping into the store to pick up the latest edition of The Selection Series for my daughter or the next Maze Runner for my son, and stumbling upon a desk-top display of my book with a printed sign declaring ‘OUR VERY OWN LOCAL VETERINARIAN and AUTHOR, DR. CURTIN!’
The fact is though, we all need to update our dreams occasionally and create new ones. Sadly, my local bookstore is going out of business. The owner is retiring and our town is losing this quality business.
My new dream is to someday bump into a reader purchasing my book, and then to offer to sign it.
FOUR – SHOOT FOR THE STARS
You need to dream big. Think of the best possible outcome and have some fun.
My current big dream is make a surprise visit to a book club discussing my book. It would be so much fun to be invited as an unknown guest and then part way through the night to reveal my identity by contributing to the discussion, “So, when I wrote that chapter, I actually thought it would end up going like…” and then see what happens.
FIVE – DEVISE YOUR OWN PERSONAL REWARD
Maybe it’s something you want to do with a signing bonus. Perhaps you have a nay-sayer who teased you and you can’t wait to show off your success. Regardless, set a reward and imagine the moment when you will get it.
I’ve had this special evening planned from the moment my first beta reader completed reading my first novel, first draft. How do you reward the time and effort it takes for someone to read your work when it isn’t good? I’m planning a fabulous dinner party. Starting with my high school teacher who read through my very first draft, to the writing partner who read aloud chapters with me for over a year, and many more. When I finally get a signed contract with a publisher, I’m going to pick up everyone in a big-ass limo and we’re going to go for a fancy dinner. It will be an amazing evening of laughter and shared dreams. I better get there soon, because the longer this takes and the more people that help me, the bigger the limo gets… and soon I will need a bus!
When you complete these five steps, hold them dear to your heart and then… get back to writing. I wish you every success and hope all your dreams come true.
Donna Judy Curtin
Donna Curtin practices veterinary medicine in Bruce County, Ontario, close to her poultry and cash crop farm where she lives with her husband and two children. As a complement to her veterinary career, she aspires to become a published novelist. In Dr. Curtin’s writing, animals play important characters just as often as people.
To win an award is such a fantastic affirmation for writers. I know. I’ve won a few and can confirm that validation kept me energized for weeks. I’ll never forget the exhilaration of first place in a national magazine with my first-ever submission.
My kids had to darn near peel me off the ceiling.
So whenever I hear of a colleague or friend winning an award, I do “the happy dance” in my heart, post congratulations online and try to attend any celebration that honours that win.
But when I’ve had something to do with that reason for celebration, then some of those wins are a bit more special.
The Joy of Editing
As an editor, I’ve loved discovering the stories of others writers in unpublished form. It’s been a privilege to move into the creative process of another writer. Their trust is precious to me and forms the foundation of our working relationship.
And it is wonderful when I can do the happy dance for them: when they are ready to submit or to publish. When they have a launch. And when they win awards.
Just last week, I got to do the happy dance for Pauline Kiely, author of No Poverty Between the Sheets. Pauline had previously published her family memoir but asked me to work with her on a new edition.
That new edition was entered in the 2019 Independent Publisher Book Awards. Known as the IPPY Awards, they were launched in 1996 to “bring increased recognition to the deserving but often unsung titles published by independent authors and publishers.”
So I was thrilled when Pauline let me know that her book won the Silver Medal in the Canada East Best Regional Non-Fiction category! And so grateful that she let me know how much she appreciated my work.
Thank you Ruth Walker your edits made this book a winner!
Pauline Kiely on Facebook
Few award options are available for independently published books. A notable exception is the prestigious Leacock Medal for Humour, where jurists accept entries of self-published books by Canadian authors. Author Terry Fallis sent the last 10 copies of his independently published first novel The Best Laid Plans to win the 2008 medal, well deserved accolades and so much future success.
Make it Award-worthy
There are many other self-published books in the world that deserve success like Pauline and Terry have enjoyed. But just like the world of traditional publishing, few great books win awards.
Nonetheless, books that haven’t been put together in a professional package — self or traditional — are far less likely to win readers, let alone awards. From the cover to the last page, you don’t want your book to be full of errors or amateur missteps.
If you’re fortunate, you may have excellent book designers, copy editors and proofreaders in your circle of family, friends and colleagues. But chances are you don’t. So avoid playing with chance.
Unless you are skilled as an editor, hire one to help you polish the text. Should you choose to go the traditional publishing route, agents and acquisition editors expect professional standards in all submitted material.
If you opt to publish independently, you want readers to stay firmly immersed in your story. Just think for a minute about how little it takes to kick you out of something you’re reading: a typo, a logic glitch or a complicated and confusing scene.
Finding an Editor
Editors Canada has over 400 editors listed online. Most independent publishing/printing services have a list of freelance editors you can hire. And traditional publishers employ staff and freelance editors.
No matter where you find your editor, make sure it is someone who understands your book’s purpose. It is a tender relationship — one that balances collaboration with principles. But when it is the right editor for your book, you’ll find no greater champion, dedicated to taking your book to the best possible form.
No manuscript is perfect. But the right editor can help you come close enough to smell the binding.
The Last Word
Writescape offers both coaching and editing for writers at all stages of the process. It’s been our pleasure to see writers achieve their goals for their books and their careers. Some of our authors:
Sylv Chiang, author of the CrossUps series middle grade novels with Annick Press.
Fred Kennedy, author of Huareo, Story of a Jamaican Cacique
Janet Stobie, author of To Begin Again and Elizabeth Gets Her Wings
This week Writescape welcomes guest blogger Lori Twining. She blogs with other writing friends at AscribeWriters.com and adds laughter and inspiration whenever she joins us on Writescape retreats. Her blog today is all about having the power to improve the life of other writers.
Guest Post: Lori Twining
Sometimes, I feel like I have the power to make a difference. Does this ever happen to you? Are you harbouring tiny pockets of power that could be used for something good?
What if YOU could be the reason someone smiled today?
What if YOU could make a small difference in someone else’s life?
What if I finished a novel, published it and it was because of YOU that it hit the New York Times Bestseller List?
Well, don’t get excited, because I didn’t finish writing that New York Times Bestseller… YET! But many other people have. I have read soooo many books by authors that are filled with amazing stories. Stories that deserve recognition. Authors that deserve to be hugged and told that you loved reading their books. Being an author is a tough business. For some, doubt is creeping around every single corner of every single day, so they could use a little reason to smile.
We are lovers. Book Lovers too!
When my husband and I celebrated our 10th wedding anniversary, we went out for a nice surf & turf supper followed by a few hours of hanging out in the bookstore. We trailed our fingers across every spine in the fiction section, smelling the new pages of some of our favourite authors, discovering new authors and being excited about which books we should buy this trip. We met up in different aisles and pretended we didn’t know each other, and then struck up a conversation about random books we had stacked in our arms. We were basically a romcom (Romantic Comedy) happening in real time. Yes, as a couple, we are two book nerds falling in love all over again, not only with each other, but with authors and their words.
Waiting to be loved
I had a few sad moments while I was walking through the 80% off aisles. Don’t get me wrong, I LOVE a great bargain but my mind went to the $2 stickers on the front cover and I wondered just how much is the author actually making? The book isn’t even that old. It’s only been in circulation for 12 months? 6 months? Geesh! Then I let my eyes wander around the huge store gazing at all the books waiting for someone to take them home, and yes, like in the movie Bridesmaids, I wanted to have the van full of puppies speeding down the highway after the party. Only, my van would be filled to the brim with all the unwanted books. I would take them home with me—possibly share with my husband—and I would read every single book, trying to make an author happy that their book wasn’t locked inside a bookstore with no one to love it.
Does that sound crazy?
Yeah, I’m sure it does.
But it makes me happy to buy another author’s book, read it and then tell them how much I loved it. This comes full circle back to having the power to make someone smile. When you tell an author how much you loved reading their book, sometimes they surprise you. This past week, I was surprised not once, but TWICE!
During my lunch hour a week or two ago, I listened to a Facebook Live interview between two amazing women authors, Lisa Unger and Karin Slaughter. They were talking about mysteries, suspense and thriller novels (all of which are my favourite). They mentioned that if you commented during the Live interview you might win something. Honestly, I didn’t care if I won anything, I was just hoping to hear some secrets they might share about their process of writing a bestselling thriller novel. I was there to hear about how they research, how they attempt their first draft, how long it really takes to write a bestseller, if they have help editing it into a masterpiece or are they doing everything on their own. These interviews always hold many interesting answers for me. So, I was happy that I listened. I took some notes. I went back to work.
After a week of camping in the woods with my adorable husband, unplugged from the world, I returned home to find my social media had exploded with hundreds of text messages, emails, Facebook messages, etc… and several were from Lisa Unger asking me for my snail-mail address. I had won something and she wanted to send it to me. What? I wanted a copy of her new book, Under My Skin, so my fingers were crossed that it would show up in my mailbox.
Love finds it way home
Fast forward another week… I received PRIORITY MAIL! $24.95 US worth of bookmail. Unfortunately, it was NOT Lisa Unger’s Under My Skin, but it was a short story called The Twenty written by her, and a hardcover copy of Lisa Scottoline’s newest release, Feared. I thought it was weird, it wasn’t even a copy of one of the two women in the interview, but hey, I love Lisa Scottoline and I didn’t have this one. I was excited and happy because who wouldn’t be? Right?
Plus, I already have all of Karin’s books (just finished reading Pieces of Her and it was FANTASTIC). Inside the Feared cover, it was signed with a note, “I love Lisa Unger, too! xoxo! Love Lisa Scottoline.” Oh, these girls know how to warm my heart. A signed Lisa Scottoline book! Sweet.
A couple of days later, I found another Priority Mail package in my mailbox. This time it was from an agent in New York City. Why was I getting mail from a literary agent? It should be the other way around, right? I should be sending out my unpublished manuscript to agents. Ha! That’s a story for another day… However, my package was from Victoria Sanders & Associates in Stone Ridge, New York. That is Karin Slaughter’s agent. Ohmygod! Karin Slaughter is my ab-so-freaking-lute-ly favourite female thriller writer. Seriously, she is the one I want to be when I grow up and figure out how to write a real thriller novel. I. Want. To. Be. Her. … with Lisa Unger and Lisa Scottoline close behind her.
Back to reality, I pulled out a Karin Slaughter t-shirt. Yep! I’m in love all over again. Then, I started surfing the internet for other #SlaughterSquad or #UngerSquad t-shirts… no luck. My mind started racing about telling these girls they could make money with selling their merchandise to crazy fans, such as myself. Now, I want a “The Good Daughter” t-shirt that will make my mother frown! Maybe, I should make one myself? Or send Karin Slaughter a crazy fan email requesting such an item. I’ll save that for another day, as well. Ha!
Bottom line, I made Lisa Unger and Karin Slaughter smile because I listened to their Facebook Live interview, because who wants to have a Live event that no one comes to? In return they made me smile by rewarding me for listening by sharing secret info, PLUS I was extra-smiling when I received gifts! I feel the power of making a difference here… I’m so busy telling everyone I know on social media and in person about how awesome these two authors are, which is a bonus for them. Plus, I will be extremely happy about walking around with my Karin Slaughter t-shirt on for years to come, thanks to Lisa Unger for picking my name out of a list of random people. It is hard to tell which of us are smiling bigger today.
Having the power
Imagine having that much power… here’s the thing, I think YOU do.
Support an author today. Listen to their podcast. Buy their book. Read it. Tell everyone about it. Word of mouth is a wonderful tool that is one of the easiest ways to make someone smile.
If you are a writer, a day will come when you’ll be begging for someone to make you smile. What if YOU could be the reason?
Lori Twining writes both fiction and nonfiction, with her stories winning awards in literary competition and appearing in several anthologies. She’s an active member of many writing groups: International Thriller Writers, Crime Writers of Canada, Sisters In Crime International, Toronto Sisters In Crime, Romance Writers of America, Toronto Romance Writers and Ascribe Writers. She’s a lover of books, sports and bird watching, and a hater of slithering reptiles and beady-eyed rodents.
For the past two days, you’ve been in the middle of an important edit and you have a magazine article deadline looming. You’ve ignored that tickle in your throat but today, you wake up, head pounding and your throat feels like someone’s taken a scrub brush to it.
You’re sick. You long to pull the covers over your head and
stay in bed. The house is warm yet you are chilled and shivering. But if you
stop now, you’re sure the edit will lose its forward progress. And that article
was paying pretty good per-word compensation.
Let’s rewind a day or two. It was just a sore throat and a bit stuffed up. And if you paused long enough at that point, you might have remembered the last time that happened you ended up with Strep. Or bronchitis. Or influenza. Or…
If you paused long enough.
We writers sometimes get so caught up with taking care of
our work we forget to take care of ourselves. I know this because I have a lot
of friends and colleagues who are writers. Many times I’ve heard them say
“I’m so darn tired but I can’t go to bed early with that deadline.”
Or “Oh, it’s just a cold. Can’t let it stop me.”
I have a confession to make. Since before Christmas I’ve
been dealing with a rotten cold. It would get a bit better and then a couple of
days later, I’d be blowing my nose and coughing. And coughing. Eventually coughing
so much I could barely talk. I was exhausted just climbing the stairs.
Did I go see a doctor?
Well, not until I recognized that the rattling sound in my throat and chest wasn’t a good sign. I even ignored that for a couple of days. Editing commitments and deadlines took precedence. My priorities might have been a bit whacky. At least that’s what the doctor inferred when I said how tired and short of breath I’d been. “Yes,” he said and fixed me with that you-ought-to-know-better eyeball. “That’s probably because you have bronchitis.”
Two kinds of inhalers and some heavy-duty meds later, I got on the road to recovery. However, if I’d gone to see the doctor when the coughing got bad instead of struggling through a week of Buckley’s cough medicine, I’d have been on the road at least a week earlier. Yes, Buckley’s really tastes awful and helped control some of the cough but it’s not meant for chest infections. So I was just applying a Band-Aid to an artery wound.
Back to you, writer
Do you recognize yourself in any of this? What would you tell that writer deep in the edit and with the looming deadline?
you should come first; the passion to edit your novel will come back stronger when you’re stronger
deadlines can be renegotiated
if you can’t renegotiate the deadline
ask a trusted colleague to take what notes you’ve got and complete the assignment
offer up a name or two to the client to replace you
by doing either of these things, you may lose the money but your client will know you are professional
But let’s not forget that
sometimes illness happens because you’re not taking care of you in the first
place. So remember the usuals:
proper meals, exercise and sleep (just like the
take breaks, even if just for 15 minutes to
step away from the work (set a timer if need be)
treat yourself with kindness in whatever form
that takes for you (avoid negative self-talk)
spend time with people you really like and enjoy
(this is a choice, not a chore)
Consequences remind us to be smarter next time
And, most of all, if you feel the onset of something, don’t bury your head in your work and “soldier on.” Be smart. Pay attention and if it is warranted, get yourself checked out medically. The hours of solid editing I lost by refusing to acknowledge I needed to see my doctor, have meant even more hours making up for the lost time.
However, I’m not forgetting to take care of myself in the time crunch.
You’ll have to excuse me now. I hear the kettle boiling and it’s time for my tea break.
Did You Know?
There’s all kinds of ways to take care of yourself. You can expect a healthy dose of pampering at Spring Thaw, our all-inclusive writers retreat in April.
Enjoy catered lunches and dine overlooking the lake in the evenings. Afterward, head to your lakeside cottage to unwind by the wood burning fireplace or head off to bed in your private bedroom.
What about writing, you say? Write in your jammies every morning with in-cottage breakfasts. Daily workshops will fire up your pen with exercises and inspiration. And Gwynn and Ruth will offer written feedback and personal consultation on pre-submitted work, plus be available for chats all weekend long.
As if that’s not enough of a good
thing, you can add two more days with our Extend Your Pen option, designed for
uninterrupted writing time except for lunch and dinner. A wonderful way to dive
even deeper into your writing project.
Why is February 6 an important date? For James II of England/James VII of Scotland, this is the day in 1685, he becomes king upon the death of his bother Charles II. In ancient Pompeii, AD 60 to be precise, a bit of wall graffiti shows February 6 as the earliest date the day of the week is known: Sunday apparently, though it would be Wednesday using our calendar. And for British women over the age of 30, this day in 1918 gave them the vote. At last, some women were considered to be adults…
From facts to inspiration
I’ve never paid attention to this particular date, February 6, and many other days that pass me by, year after year. But I got to thinking about how writers and other artists can find inspiration and ideas by checking out a day here or there.
Right now, I’m thinking that my friend and author of historical novels, Cryssa Bazos, would be able to tell me what inspired her to write about 17th century England. Perhaps she was just Googling dates when all the intrigue, civil war and passions of that time caught her attention.
And Pompeii? The place that captured the people and places of the ancient city, buried beneath a mountain of volcanic ash, is rich with high-tension moments. Unable to escape, families, friends and strangers succumbed to the poisonous gasses and then were covered with ash in their desperate last seconds, frozen with an arm extended in fear or draped around a loved one to protect one last time.
It was so sudden that tables were set with food, prepared for a meal never eaten.
Archeologists unearthed a time capsule, including that February 6 day-of-the-week discovery. And for writers, there’s been no end to the stories imagined by the vignettes revealed.
Thinking about British women’s right to vote February 6, 1918, I was reminded how hard won our right to vote is in Canada. Not so very long ago, it was meted out, inch by excruciating inch, province by province, until Canadian women finally got the right to vote federally on May 24 1918.
Of course, there were exceptions. And there were restrictions. You had to be 21 or older, and not a Status Indian or Inuit woman (or man, for that matter.) And restrictions applied to anyone disenfranchised provincially for reasons of race. Thus, Japanese, Chinese and South Asians in B.C. and Chinese in Saskatchewan were kept from voting.
As a writer, this rabbit hole of research got me thinking.
I’m driven by character, and I try to imagine what the power to vote might have meant to a woman who, on May 23, 1918, couldn’t vote.
I’ll call her Edith.
And what it meant to a woman who, on May 24, 1918, still couldn’t vote.
I’ll call her Miko.
Consider the opportunities for tension if I put these two women in the same house. A Japanese immigrant, Miko is a cook in a boarding house. She is 48 and widowed. Her only child, her son, died fighting in the Great War. Edith’s mother owns the boarding house, and 25-year-old Edith joined the women’s suffrage movement with exuberance. She doesn’t understand why Miko is so quiet on this day because it is a day to celebrate. Whatever is the matter with Miko?
From character to plot. And all because of a date.
So, what about you? Did any of this tickle your Muse? Have you ever checked out an innocuous date and discovered a treasure trove that inspired you to release your Muse and take you on a journey to people or places you’d never thought about before?
In 2018 our Top Drawer blog Copy That! explained the situation with the ongoing court battle in Canadian courts over creative rights. We then updated you on the Review of the Copyright Act and brought you an update. As we enter 2019, here is the latest update as emailed to creatives by Access Copyright:
I’ve spent a large part of my professional life at Access Copyright. I’m often asked by publishers and creators what keeps me going, especially through the challenging times.
The answer is simple: it is my privilege to work on behalf of Canadian creators and publishers to make sure their rights and the value of their work are both recognized. In the last few years, workplace gurus have talked a lot about the importance of alignment between your personal values and your work. I feel like I’ve been blessed; this is meaningful work and I cannot imagine doing anything else.
During the question period, one of the MPs asked if there might be a middle ground, a way to protect writers and ensure learners in the public sector have access to high quality materials, given limits to funding.
It’s a question I’ve heard (and answered) many times. Sylvia’s response below truly gets to the heart of the issue.
This has been going on for close to five years. Different
schools opted out at different times. They believe now that they are entitled.
It will be very difficult. They have no knowledge of ever paying for
photocopying or for digitally reproducing materials.
We need to get the fines, the tariffs, in place, and then we
need to rein in this exemption.
Ms. Roanie Levy:
If I could add something, the system of collective licensing
was created precisely so that the entire book doesn’t have to be bought all the
time. It provides that means of accessing without having to pay the full price
of all books all the time for every student.
It’s also important to keep in mind—because I think
that because of all of the noise we hear about this and all of the efforts that
are made to evade having to pay—that we have the sense we’re talking about
incredible sums. In the elementary and secondary sector, we’re talking about
$2.41 per student per year. Then they could do the copying of their chapters
and their 10% to their heart’s content. It’s $2.41 per child per year, and the
ministers are still not paying.
In post-secondary, at most we are talking about $26 per
student per year. It’s the price of a pizza. In college, we are talking about
$10 per student per year. We’re not talking about sums that would bankrupt
anyone, that would add any true additional burden on students whatsoever.
Ms. Sylvia McNicoll:
May I add that while it’s just a pizza for them, it’s my
mortgage, my groceries, and it’s my car payment. Right now, it’s my dental
 Since 2012, educational institutions outside of
Quebec have refused to pay royalties under tariffs certified by the Copyright
Board of Canada. This action has deprived creators and publishers of an
important source of income. For example, under the current elementary and
secondary schools tariff, this non-payment results in an annual loss of $9
million in royalties for the copying of published works by K-12 schools.
Canadian creators and publishers have suffered under the education sector’s copying policies and practices. I believe politicians and policymakers in Ottawa understand the unintended, negative consequences the 2012 changes to the Copyright Act have brought about.
Now, as they prepare their report and recommendations, I hope they’ll remember Sylvia – and the thousands of writers and publishers who are in the same predicament – looking to make their next mortgage payment, book a dentist appointment or pay for groceries.
It doesn’t have to be this way.
The licence costs are minimal, but the resulting royalty payments make a significant and meaningful difference to Canada’s creators and publishers.
President & CEO
Access Copyright files submission to the Heritage Committee as part of its Remuneration Models for Artists and Creative Industries study
The submission outlines how copying policies enacted by the education sector after the passage of the Copyright Modernization Act have had serious consequences for creator and publisher income levels and proposes four concrete actions to address this critical issue: • Amend the Fair Dealing Exception to distinguish between individual and institutional copying; • Introduce the Artist Resale Right; • Harmonize statutory damages available to collectives; • Confirm tariffs set by the Copyright Board are and have always been mandatory. Our submission can be found here.
Access Copyright teams up for joint Copyright Act review submission
In December, Access Copyright was one of 34 organizations that came together to form The Partnership for the Future of Canadian Stories to represent those who create, read and care about Canadian stories. Collectively, the Partnership prepared an evidence-based analysis to correct misleading claims put forward by opponents of effective copyright to members of the Standing Committee on Industry, Science and Economic Development, and the Standing Committee on Canadian Heritage.
In December, the submission was filed with both the INDU and the Heritage Committees. Read it here.
The Partnership makes two recommendations to address the current reality facing creators and publishers and their ability to be fairly compensated for the educational use of their works:
• Clarify that fair dealing does not apply to educational institutions when the work is commercially available;
• Harmonize statutory damages available to collectives.
Lend your voice to support Canadian creators and publishers during the Copyright Act review
When creators speak, politicians listen. It’s important we remind the Heritage and INDU Committees of the negative consequences of the 2012 changes to the Copyright Act. It is also vital that they continue to hear this message while they write their final reports.
With this in mind, the I Value Canadian Stories coalition will launch a new letter on the I Value Canadian Stories website the week of January 21. We’ll send an email when it’s ready. It will take no more than two minutes to visit the site and send your letter in support of Canadian creators and publishers.
In case you missed it…Last fall, the I Value Canadian Stories campaign shone the spotlight on Canadian writers and visual artists. Check out the site’s Videos page to learn more about the work of creators like Andrew Pyper, Amy Stuart, Sky Gilbert, David Chariandy and Jennifer Mook-Sang.
Negative consequences of the Copyright Modernization Act in the media
Recently, CBC Radio’s The Sunday Edition (hosted by Michael Enright) and CBC’s The National covered declining incomes for Canadian creators and publishers. The segments addressed the unintended consequences of the Copyright Modernization Act for both communities.
In January, we traditionally take stock of our lives. For writers, that involves our creative lives, our writing lives. So far, we have already looked at Getting into Writing Balance. Our guest blogger (and long-time writing friend), Aprille Janes offers an uplifting take on examining our creative lives from the perspective of “taking time to enjoy your creative gifts”. Currently, Aprille focuses on visual art at her Stone Bay Studio in Nova Scotia, but her message is relevant for any creative.
Guest post: Aprille Janes
Take time to enjoy the gift
The artist is nothing without the gift, but the gift is nothing without work. – Emile Zola
Time away is a gift
This year, being away for a whole month was a first for both of us.
A month changes things, providing distance and perspective. It made me see I was in danger of filling my schedule with things that took me away from what I really wanted. Putting together a program to help artists find time was keeping me too busy to paint.
How’s that for irony?
So I took a deep breath, slowed down and asked,
“What do I really want in 2019?”
Easy. I want to prioritize my painting.
That means committing to a daily practice of drawing and painting, taking time to be a student and making my art a priority rather than an afterthought. Like practicing daily scales, I need to put in the work.
We all have our own ways of bringing our dreams to life, but what we do each day, at a ‘right here, right now’ level, will determine whether we get there. — Tara Leaver, Artist
And, as we all know, for every action there is an equal and opposite reaction. When I say “Yes” to something then I must say “No” to something else.
“What is necessary and what is distraction?”
When I arrived back home I began making time for my dreams by looking at the “mental clutter” I had allowed into my life. Like physical clutter, it took up space, made it hard to navigate and gathered dust.
I don’t know about you, but I tend to subscribe to things as I’m browsing because they catch my eye or I want their ‘freebie’ or there’s a program I’m interested in. That means I end up on a lot of lists if I’m not careful.
Now I looked at each and every promotion and update that came through my inbox and held it up for scrutiny.
Did I even sign up for this? Even with all the anti-spam laws, I still get added to lists without my permission. Those are an easy decision. Unsubscribe.
Is this information pertinent to me anymore? More often than not the answer was No because my life has changed so much. Unsubscribe.
When was the last time I read the information this sender provides? If I can’t even remember – unsubscribe.
Now I’ll admit that unsubscribing sometimes felt a little like breaking up. Often they ask “Why” and it’s tempting to write “It’s not you, it’s me”. Mostly though, I skip giving a reason unless the sender is a friend in the real world.
This is an ongoing process but the difference in less than a week was phenomenal. My inbox holds only those things I deem important to me personally or to my renewed focus on the painting.
And speaking of distractions…
Where do I want to invest time on social platforms? Do I have a reason for being there?
For me, it boils down to Instagram, Facebook and Pinterest, which make sense to me as a visual artist. I deleted my profile on LinkedIn because I’m not in the corporate/business world any longer. The jury is still out about Twitter.
I left a number of Facebook groups because I wasn’t interacting or they belonged to a different phase of my life. My Creative Fire Café , of course, stays put. I love the community we created and what we learn from each other. The social aspect of Facebook is also a gift because it keeps me in touch with family and friends.
Gift of Changing “The way it’s always been”
The “Yes” part means daily time in my studio, painting and learning. In the past, I held a belief that my creative time “had” to be in the morning. And yet, I easily slipped into an afternoon routine which feels natural.
By taking care of a few things each morning such as social media, my coaching practice and biz admin (and yes, household chores) I relax and totally focus on my art in the afternoons. Up to now, I hadn’t even recognized that feeling of “something’s not done” and the pressure it created to hurry through my painting time.
Now the parent part of my brain says “Right. Chores are done. Go play.”
Gift of Self-Care
At the end of my studio time, right on the dot of 4:00, Joey the Dog comes in, sits down and stares hard at me. He’s letting me know in no uncertain terms, it’s time for his walk. It’s like having my own personal trainer.
These days I find myself taking longer walks which means more fresh air and exercise. Because my other priorities now have their place, I am free to enjoy the moment plus the exercise loosens me up after sitting for so long. When I get back to the house, my husband and I have a cup of tea and spend some quiet time together.
Without even trying, I’m practicing better self-care and enjoying quality time with the spouse, a precious gift.
The Sum of the Equation
All of these small changes add up. Fast. I see positive growth in my art which translates into feeling relaxed and happy, knowing my dreams are getting daily attention. I even sleep better. My time is being spent on priorities, not busy work.
What strategies have worked for you when it comes to finding more time to focus on your priorities?
More about April Janes
Aprille has fond childhood memories of outdoor adventures and time spent near the water. Today, she lives by the Bay of Fundy and her art reflects this love of the outdoors. She divides her time between painting, writing and teaching watercolour workshops.
Several years ago, I attended a writing workshop with Caroline Pignat, (a wonderful author and twice a Governor General Literary Award winner!) and she began the session with this simple exercise:
On a piece of paper draw a circle that represents the creative talent you think you have.
In relationship to that, draw an overlapping circle that represents the writing craft skill level you think you have.
And now add another overlapping circle that represents your commitment to actual writing.
What did it mean?
The middle area where the three circles intersect represents the success you can expect with your writing goals.
My talent and craft circles were about the same size, but my commitment circle was woefully small in comparison. The resulting central shape for success was tellingly small too. According to this diagram, if I upped my level of commitment, my success area should increase. I kind of knew this in my heart of hearts. I can write, but I don’t. I should submit, but I don’t. It was common sense really. And it compelled me to change some things in my life to remedy it.
Your circles may be different: perhaps you write every day and have a natural talent for telling stories, but your level of craft is low — passive writing, bad grammar or a lack of understanding of structure. Or you’ve taken a boatload of workshops and read widely on the craft, and you have a high level of commitment, but your storytelling skills need help and it means you don’t turn out compelling fiction.
Whatever the imbalance, paying attention to it will help you succeed.
Getting back in balance
So as part of your resolution making /goal setting this January, work on getting your circles in balance. There are many ways to do it, but here are a few tips:
Schedule writing time like any other appointment and stick to it
Find a writing buddy, and support and motivate each other
Fight feeling overwhelmed by making small, specific and achievable goals
Find a place to write where you feel creative and are not disturbed
Tell your family about your goal and ask for their support
Believe in yourself; confidence is the best boost for talent
Face fears – submit even though you fear rejection; try a new form or genre – you won’t know what you’re good at until you try
Remind yourself why you like to write and rekindle your passion
Read, read, and read – your ability will improve by osmosis. Really!
Fill your creative well often – try other art forms; visit museums, galleries, parks and natural spaces. Remember observation, mindfulness and curiosity.
Join a critique group – the critiques you receive are just part of the learning process. Giving critique and listening to critique of others’ work helps you understand all aspects of craft and different genre expectations. You’ll also learn to read critically.
Read as a writer – when you are impressed by the way an author handles a scene, analyze what they did to achieve it.
Take workshops or attend conferences – choose them wisely depending on what you need to know to improve right now. Random courses are more likely to boost procrastination than skill.
Allow yourself to write a “shitty first draft” by knocking the inner critic off your shoulder. Like all skills, writing takes practice.
Network with other writers at breakfasts, workshops and writing events. I often learn as much from attendees as I do from facilitators.
I’m happy to say that when I check in with myself this New Year, I know my circles are more in balance – still not equal – but improving. And I’m happy with that.
A few more tips
Some previous Top Drawer posts you might like to revisit that speak to aspects of this post:
A writer—any good writer—has certain gifts and qualities that should serve them well away from their works in progress. But recently, I was reminded that those gifts can only show up if they are called on to do so. When we let assumptions take over and when our imaginations are dulled, it won’t matter how creative our thinking is. We’ll be as clueless as the next guy.
It all started with the dishwasher. We’ve gone two years without a working dishwasher and when recently offered a gently used one, we said yes. It’s nice to have one when there’s a lot of company and a lot of dishes, I reasoned.
Our lovely gift was easily installed and the first run through was a total success. Sparkling clean dishes and I didn’t need to don rubber gloves.
Two days later, we ran it again. Once again, the dishes were sparkling clean. But the nearly 1/4 cup of water on the floor was a sign our free dishwasher might be a bit of a lemon.
Now here’s where the writer in me should have given this a lot more consideration. Writers are supposed to look closely at things, to puzzle out mysteries and consider optional scenarios. Many of us suffer from the ” What if” syndrome. We ask questions. We do it all the time for our characters and plots. So, logically, we should do it in life.
But the writer in me jumped ship as I stared at the small puddle in front of our dishwasher.
I called the installer. It would be a few days before he could come back out to look at it, so we waited. Meanwhile, we worried. How much would the repair cost? Could it even be repaired? Was this a huge mistake, taking on a used dishwasher?
Asking yourself the right questions
It was my husband who first broached the optional scenario. Maybe it was the ice cubes.
The evening of the water leak, he’d dropped a tray of ice cubes onto the kitchen floor. He thought he’d got them all, but in retrospect he wondered if he missed a couple under the cupboard. Beside the dishwasher, in fact.
And here’s where my writer-brain finally kicked in. If this leak was from the dishwasher, why had it only been clean water? Cold clean water, in fact. If the gasket was faulty on the door in just one corner, it still would have been faulty during the whole cycle and not just the rinse. But there’d been no soapy residue.
No. The more logical culprit had been a couple of wayward ice cubes tucked up next to the bottom right corner of the dishwasher. And there they melted. And there they waited for me to jump to conclusions.
Hand slap to the forehead
I ran the dishwasher again. No leak. I called and cancelled the service call. No invoice to pay.
I’ve used the dishwasher two times since the ice cube hypothesis and not a drop of water on the floor. The dishwasher is fine. It’s my brain that needs some work.
Assumptions can be the bane of any writer’s life, especially when they filter into our writing. It’s the place stereotypes lurk, the home of As You Know, Bob moments and the heartbeat of a complete lack of surprise in our stories.
It is exactly what you do not want your reader to experience. Ho-hum…
And writer, here’s the thing to remember: if you can avoid assumptions in other areas of your life, it can save you some angst and expensive service calls.
By the way, did you take a close look at the picture at the top of this post? Did you assume he was a writer, sitting on that stump? He’s actually an artist sketching in the forest. Give yourself ten points if you thought he was an artist. Otherwise, guess you’ll have to keep working on looking closer at things.
Let’s end with a wish for you all to have a lovely holiday season and all the best for an inspired new year.