Ruth E. Walker
As noted in last week’s Top Drawer, Gwynn and I attended the Spirit of the Hills (SOH) Festival of the Arts in Cobourg, and filled our creative wells with workshops on the craft of writing. But there was more energy and inspiration to be found in the community rooms at St. Peter’s Anglican Church.
Drawing together the arts of all kinds, the festival celebrated visual arts, music, theatre, dance and literature. And in each of those disciplines, there was a myriad of creative expressions. From Flamenco dancing to fabric art to photography to performance poetry, SOH festival attendees were treated to a rich immersion in the arts.
Not only were there feasts for the eyes and ears, there were several opportunities for collaboration and communication between artists.
Gwynn moderated an intriguing panel discussion between four poets, who proved that poetry is not just an economy of words on the page. Ted Amsden, Cobourg’s poet laureate emeritis was joined on the panel by American/Canadian poet Katie Hoogendam, subversive poet Wally Keeler and performance poet Dane Swan. The audience was challenged to consider how each poet approached their craft
A Royal reception
The arts tend to be taken for granted, so when the Lieutenant Governor of Ontario, the Honourable Elizabeth Dowdeswell, entered the exhibition hall on Friday afternoon, the excitement meter rose significantly.
She is the Queen’s representative in Ontario, and in her own words, is “Storyteller in Chief.” Her Honour knows the power of words to engage others, and holds close the stories she hears from her travels throughout the province. Gwynn and I were delighted when she stopped by our table for a brief chat.
On Friday evening, we were treated to an evening of music, dance and theatre. As much as I enjoyed all the offerings, one short play held a special joy.
“Mouse”, by Marie-Lynn Hammond, explores how two different commuters — an introverted older woman and an over-active young man — have far more in common than they first realize. Of course, the fact that I had a connection with the young male actor might have influenced my strong preference. Cannot lie: I’m always a proud mother when I watch any of my children do something they love.
Mixing up the arts
The arts were thrown into a different mix of voices when Saturday’s lunchtime panel, moderated by Alan Bland, brought together poet Dane Swan, multi-talented singer-songwriter David Newland, award-winning author K.D. Miller and opera singer turned author and editor, Christopher Cameron. The audience engaged in a free-ranging discussion on the challenges and benefits of sharing across the arts.
Our consensus? There’s a definite richness of thought when artists of various disciplines take the time to talk with and learn about each other.
But the best example of sharing across the arts, for me, was the very cool Words on the Wire, multi-media event on Saturday afternoon. Video poems engaged our eyes and minds, exquisite music and singing rose to the rafters in the chapel setting, pioneer Susanna Moodie addressed the audience, and poetry and prose was shared by diverse voices. Musician and songwriter Marie-Lynn Hammond was joined by acclaimed violinist San Murata. And a personal favourite of mine, Gwynn Scheltema, read two gorgeous poems from her poetry manuscript.
By bringing together a diverse gathering of arts and artists, the Festival attracted the attention of the Queen’s representative, someone who regularly consults with the provincial government and who articulated her belief in the power of grassroots art and volunteer activity to bring people together and enrich their lives. The Festival showcased the work of creative people in a public, accessible place. But more than that, Spirit of the Hills festival organizers created a space in which artists could share ideas, inspiration and art forms with each other.
The Festival of the Arts is held every two years in Northumberland County. I’ll be marking fall 2021 on my calendar to be ready for another immersion in the many creative experiences that will be on offer. In the interim, I’ll be looking at ways I might collaborate with various artists to see what synergy can develop.
Collaboration + creative people = ??? Share in the comments what you think can come out of collaboration across art forms.
Applications have just opened for Halls Island Artist Residency in Haliburton County. For summer 2020, organizers are dedicating one 12-day residency for up to four artists who want to collaborate on a project(s).
Halls Island is an off-grid, eco-sensitive island on Koshlong Lake. Residencies are available to artists of all disciplines. Other than a $10 non-refundable application fee, residencies are free to successful applicants.
“As an environmental artist and geo-poet, the Island itself was a way to rejuvenate, and become re-inspired in my practice.”
Sophie Edwards, artist residency at Halls Island, 2019
Applications and additional details are available online.