My non-journal

My non-journal

Gwynn Scheltema

I’ve just returned from a couple weeks’ vacation in the sun: idyllic ocean vistas, new taste experiences, and cultural delights. Lots to write about in my daily travel journal…except…when I travel, I don’t write a daily journal; I keep a non-journal.

My Non-journal

My non-journal began when I was on an extended trip back to my childhood home in Zimbabwe to look after an ill relative. What should have been a golden opportunity to stir up old memories and write screeds and screeds of material turned out to be a dry well. I had all the physical sensory impetus around me, but emotionally and mentally I was in a very different place, and just couldn’t write a word.

With that came the guilt: “I should be making the most of this golden opportunity”; “If I just start to write- write anything- I should be able to get going, so why can’t I?”; “Is this self-sabotage?”

In the end, I stopped fighting the ideal and just did what I could: lists, photos and language.

Lists

I began to make lists: a list of local flower names, a list of bird sounds; a list of signs of decay in the house where I was staying……

Making lists freed me up emotionally and mentally, because I didn’t have to craft sentences, and I didn’t have to call on memory or emotion. I gave each list its own page and added to it whenever I could. Even travelling back on the plane, I could add to any of the lists.

Now, years later I look at those lists and realize what a goldmine they are. I have details that I likely wouldn’t have recorded had I been writing a prose piece:

  • half a phone book from ten years ago
  • a dried-up bottle of cochineal
  • iron burn marks on the sheets

Photos

Sure, we all take photos, but we live in a social media age that programs us to take pictures of perfection: beauty, excitement and such—all things we would share with others. Or personal moments with people. Or the food we eat. All that is fine, but in my photo non-journal I also take photos of things for my future writing.

I don’t advocate experiencing life through a lens, so I’m not suggesting that you stop just looking and recording in your memory, merely that when you do stop to take photos, you take a full range of the experiences, not just the “nice bits” or the “Facebook worthy bits”.

I take pictures of the dirty back street one block back from the tourist route, close ups of the kind of garbage lying in that street. I take photos of the menu as well as the food. I take close-ups of flowers and leaves of trees. I take photos of oddities, both pleasant and disturbing, like the old lady asleep, wrapped up in a moth-eaten crocheted blanket on a sunny yellow porch on a thirty-degree day.

Language                                                                                    

One of the best ways to make a character or place seem real in writing is to include local idiom and language. Being unfamiliar, I find cultural phrases are easily forgotten, so in my non-journal I keep pages for jotting down things people say and explanations of what they mean if necessary.

  • dumb as a cow’s arse
  • she flapped her lips
  • give it to Old Pisquick over there
Southern ground hornbill walking in the high grass in the Hwange National Park, Zimbabwe.

I also record foreign language words and phrases that locals pepper their conversation with.

  • names of things – utshani = grass
  • exclamations of surprise—ini indaba? = what’s the matter?
  • orders—faga punzi = put it down

Hidden Gold

Initially, I didn’t have great expectations from the jottings in my non-journal. I think I did it more to assuage the guilt of not writing. But I was wrong.

Those “meaningless” jottings have a peculiar effect when I reread them. Even the smallest snippet has the power to take me back to the time I wrote it. If I open my mind, whole scenes and sequences come back to me. I can use my lists or photos as prompts to write.

And it goes beyond that. For instance, that item in the list above “a dried-up bottle of cochineal” doesn’t just take me to the house where I observed it, but also back to memories of days doing ballet and using cochineal to dye our pointe shoe ribbons pink.

Each non-journal entry is a quiet tendril, moving slowly through my mind encircling memories for me to use now that I am home from my travels.

Just Write! at Glentula

Just Write! at Glentula

Three or Five days to Just Write!

If you want a retreat that won’t break the budget, try this three- or five-day getaway at Glentula on the shores of Lake Seymour just over an hour east of Durham.

Montage with words -- The many lovely faces of Glentula

Be inspired

Nestled in the forest, on the shores of Lake Seymour, Glentula offers peace and inspiration. Five acres of forest and walking trails, streams and lake, gardens, gazebos and secret hideaways. And inside, a bright workroom, book-lined study, or your own private room give plenty of options to write in.

Be supported

Gwynn is onsite and ready to support your writing. She is available for consultation and chats each afternoon. After-dinner readings give participants an opportunity for group feedback. Optional warm-up writing sessions and activities are available each morning.

Be comfortable

Glentula is a private cottage home with single and double occupancy rooms. All your meals and snacks are provided. This intimate retreat is open to a maximum of five participants: 3 single room (double or queen beds), 1 double occupancy (twin beds). Registration includes accommodations, meals and all-day access to beverages and snacks.

Your Just Write at Glentula retreat program includes:

DAY ONE:

  • 10:00 am: Arrive and settle in; explore the grounds, or start your writing right away.
  • 11:00 am: Introductory session to meet your fellow writers, and find out what’s on offer. Warm up your pen with a few creative writing exercise and sharing.
  • 12:30 pm: self-serve lunch in the dining room: hot soup or crockpot fare, breads, cheese, salads, fruit & cookies
  • Afternoon: Private writing time. Explore situation-themed prompts drawing inspiration from the woods and the lake available at “Inspiration Stations.”
  • 5:30 pm: Cottage-style BBQ dinner (dine al fresco, weather permitting); Group readings, feedback and discussion or writerly activities.

DAY TWO:

  • 7  to 9 am: Self-serve breakfast: hot or cold cereal, fruit and juice, yoghurt,eggs, toast, muffins and bagels.
  • 9:30 am: Warm-up writing prompts and freefall, followed by silent writing time.
  • 12:30 pm: self-serve lunch
  • Afternoon: free time to write or relax. Situation-themed prompts drawing inspiration from the woods and the lake available at “Inspiration Stations.” Gwynn available for one-on-one discussion of your writing project.
  • Evening: sit down, three-course dinner. Group readings (at the campfire, weather permitting), feedback and discussion or writerly activities.

DAY THREE:

  • 7  to 9 am: Self-serve breakfast
  • 9:30 am: Warm-up writing prompts and freefall, followed by silent writing time.
  • 12:30 pm: self-serve lunch
  • Afternoon: free time to write or relax. Situation-themed prompts drawing inspiration from the woods and the lake available at “Inspiration Stations.” Gwynn available for one-on-one discussion of your writing project.
  • 4 pm:  Closing session.

Next dates available:  Summer 2018. Contact info@writescape.ca 

Registration:

3 Days: $385

5 Days: $545

PLEASE NOTE: When you hit the “Add to Cart” button, the PayPal order will show up at the top of the column to the right. To be taken to PayPal to finish your purchase, click on the yellow PayPal button. You can use a credit card on the PayPal site – you do not have to have a PayPal account.

HST will be charged at checkout. HST # 821104853RT0001

Getting There:

Glentula is at 101 Morningside Drive, Havelock, ON. Click here for directions.

Continue reading