Ruth E. Walker
It’s October, Hallowe’en is coming and as two of my writing idols once wrote: Something Wicked this Way Comes. William Shakespeare gave the line to Macbeth’s witches. Ray Bradbury wrote a novel about an ill wind that blew in devilish characters.
But in today’s parlance, wicked has come to also mean GREAT!
When the universe sends you signals, the wise writer pays attention. I had something totally wicked happen to me and it has fired up my pen once more. I’m about to dive back into an old manuscript and I feel great!
There’s lots of ways a writer can lose the muse with a story. Usually, it’s just a short-lived, middle-of-the-book depression that a chat with a supportive colleague can fix. Sometimes, it’s a bit tougher to get past and a workshop or two can help shed light on the lack of inspiration. Occasionally, it’s much more serious and can lead to an abandoned manuscript.
Not all manuscripts can or should be resurrected. I have a couple in the drawer that I consider to be “training wheels.” But I also had a novel in progress that was a contemporary retelling of an old Breton fairy tale. It was a risky business, taking the magic of the tale and reworking it. But I disliked the so-called happy ending and I knew the main character deserved a much better happy ending.
It was great fun and a huge challenge. I had to make the magic real and the reality, magical…yet grounded. I re-read Arthur Ransome’s Old Peter’s Russian Tales, Grimm’s deviously delightful fairy tales and William Goldman’s The Princess Bride. I dived back into my cultural studies oral narrative course work, spending time with The Mabinogion and Alice Kane’s The Dreamer Awakes. I let the rhythms fill my bones and added layers of story to the novel. I was on a creative roll.
How I lost my way
I signed up for a week-long writing retreat and symposium. I felt that being far from home with experienced authors, attending workshops and most importantly, one-on-one sessions with a well-published writer, would offer me insights and inspiration.
The escape to a distant location was amazing. Expansive horizons in a rural setting. My own private room and writing space. Far-off coyotes howling and yipping every night. We even had a gorgeous full moon. And somebody else cooked for me. Heaven.
Surrounded by writers at all levels of the writing journey, I enjoyed listening to the enthusiastic and generous teaching faculty. Except for one thing: my mentor writer was less-than-positive about my story.
Not all mentors are meant to be
I arrived at our one-on-one session and when handed back my submission, I saw my retreat mentor had read the 10- or 15-page excerpt. There were plenty of notes scribbled in tiny script on those pages. But I was tough. I figured I could take it.
I left that one-on-one session a total mess.
I was asked if I were writing a story for children. Oh my God, I thought, I’ve been writing a children’s story all along? I was told to read other fairy tale re-workings and learn from those authors. I should have said “I have,” and then named them. I should have asked what the mentor knew about writing for children because I sure knew the difference. I should have asked why my mentor’s tone was so condescending.
I should have asked a lot more questions. Instead, I simply took it all in. My mentor had published books in book stores. My mentor had an agent. My mentor seemed to be “in” with all the other faculty.
I arrived at that retreat excited and enthused. And while I benefitted from the other opportunities the retreat offered, I left feeling confused and that I’d made a mistake.
My mistake was not my mentor’s fault
I didn’t challenge my mentor. I didn’t ask questions. I let the whole thing simmer instead of addressing it on the spot. And I may have missed an opportunity to take in valuable insights from my mentor because I was so distressed.
My mentor did not abandon my story. I did.
It’s been eight years but the universe has conspired to bring me back to Yvon’s tale. This past summer, I needed something to read for a maximum of 7 minutes at a public event. Something “light or humorous and crowd pleasing” the invitation suggested.
Trying to find a short passage was a challenge, and a lot of my work is serious, sometimes edgy stuff. And then I remembered the opening of Yvon’s story. Ironic and satirical and just a little bit magical. So I dusted it off, tweaked it here and there, and read 7 minutes to an appreciative crowd this past summer.
But the clincher of the universe nudging the muse along was a post a colleague writer put on my Facebook page two weeks ago. She was part of a novel-writing group we were in together when I first developed Yvon and his story. She posted a cartoon of Baba Yaga — a witch character who shows up in my manuscript.
Bingo! How could I turn my back on Yvon a second time?
Baba Yaga cartoon credit: cranberrytime
Some mentors are exactly what you need
Two weeks ago, I met with another mentor, author Frances Itani. She is the 2018 Writer in Residence for the Arts Council of Haliburton Highlands where my cottage is located. Frances read a brief excerpt of Yvon’s story and offered excellent advice: practical, encouraging and insightful. She pointed out strengths in the style and areas to tighten. And most importantly, she asked me questions related to the theme and heart of the story. Questions that helped me plan the revision to come.
I’m just finishing the edits on my YA sci/fi novel, getting it ready to go out to agents once more. This time, it won’t be a challenge to let go of The Last Battlewipe because The Perfect Beauty of Yvon Torville is waiting for me to get started again. I’m a lucky writer to have such a busy muse these days. It’s totally wicked what this way comes.
