A Happy Dance for Writers

A Happy Dance for Writers

To win an award is such a fantastic affirmation for writers. I know. I’ve won a few and can confirm that validation kept me energized for weeks. I’ll never forget the exhilaration of first place in a national magazine with my first-ever submission.

My kids had to darn near peel me off the ceiling.

So whenever I hear of a colleague or friend winning an award, I do “the happy dance” in my heart, post congratulations online and try to attend any celebration that honours that win.

But when I’ve had something to do with that reason for celebration, then some of those wins are a bit more special.

The Joy of Editing

As an editor, I’ve loved discovering the stories of others writers in unpublished form. It’s been a privilege to move into the creative process of another writer. Their trust is precious to me and forms the foundation of our working relationship.

And it is wonderful when I can do the happy dance for them: when they are ready to submit or to publish. When they have a launch. And when they win awards.

Just last week, I got to do the happy dance for Pauline Kiely, author of No Poverty Between the Sheets. Pauline had previously published her family memoir but asked me to work with her on a new edition.

That new edition was entered in the 2019 Independent Publisher Book Awards. Known as the IPPY Awards, they were launched in 1996 to “bring increased recognition to the deserving but often unsung titles published by independent authors and publishers.”

So I was thrilled when Pauline let me know that her book won the Silver Medal in the Canada East Best Regional Non-Fiction category! And so grateful that she let me know how much she appreciated my work.


Thank you Ruth Walker your edits made this book a winner
!

Pauline Kiely on Facebook
Terry Fallis

Few award options are available for independently published books. A notable exception is the prestigious Leacock Medal for Humour, where jurists accept entries of self-published books by Canadian authors. Author Terry Fallis sent the last 10 copies of his independently published first novel The Best Laid Plans to win the 2008 medal, well deserved accolades and so much future success.

Make it Award-worthy

There are many other self-published books in the world that deserve success like Pauline and Terry have enjoyed. But just like the world of traditional publishing, few great books win awards.

Nonetheless, books that haven’t been put together in a professional package — self or traditional — are far less likely to win readers, let alone awards. From the cover to the last page, you don’t want your book to be full of errors or amateur missteps.

If you’re fortunate, you may have excellent book designers, copy editors and proofreaders in your circle of family, friends and colleagues. But chances are you don’t. So avoid playing with chance.

Unless you are skilled as an editor, hire one to help you polish the text. Should you choose to go the traditional publishing route, agents and acquisition editors expect professional standards in all submitted material.

If you opt to publish independently, you want readers to stay firmly immersed in your story. Just think for a minute about how little it takes to kick you out of something you’re reading: a typo, a logic glitch or a complicated and confusing scene.

Finding an Editor

Editors Canada has over 400 editors listed online. Most independent publishing/printing services have a list of freelance editors you can hire. And traditional publishers employ staff and freelance editors.

No matter where you find your editor, make sure it is someone who understands your book’s purpose. It is a tender relationship — one that balances collaboration with principles. But when it is the right editor for your book, you’ll find no greater champion, dedicated to taking your book to the best possible form.

No manuscript is perfect. But the right editor can help you come close enough to smell the binding.

The Last Word

Writescape offers both coaching and editing for writers at all stages of the process. It’s been our pleasure to see writers achieve their goals for their books and their careers. Some of our authors:

Sylv Chiang, author of the CrossUps series middle grade novels with Annick Press.

Fred Kennedy, author of Huareo, Story of a Jamaican Cacique

Janet Stobie, author of To Begin Again and Elizabeth Gets Her Wings

Felicity Sidnell Reid, author of Alone, A Winter in the Woods

Go Bravely, Pioneer!

Go Bravely, Pioneer!

This week Writescape welcomes A.B. Funkhauser as our guest blogger. We first met her in a Writescape workshop where her unique storytelling voice immediately grabbed our attention. She recently launched her third novel at the Indie Author Day in Pickering, and this successful and self-propelled author lets us in on how she sees marketing in the indie world.

*******

A.B. Funkhauser

Recently, I had the privilege of participating in Indie Author Day at the Pickering Central Library. Sponsored by the PineRidge Arts Council, its purpose was to bring independent and micro-published authors together under a single roof to share ideas and lamentations about this journey we call writing.

So much more than words

Writing is so much more than words on a page. We chase character, motivation, arc, pacing and a satisfying resolution, each ideally wrapped tight in a prescient, unique voice that distinguishes the work and acts as a fingerprint for the artist behind it. Finding that combination can take years accompanied by scores of rejection letters that keep fourth-place-finishes in writing contests company.

That’s the trip. Those of us stubborn and committed enough to either win a contract or go boldly into self-publishing know that the second part of the journey has begun, and it is on this that I’d like to focus.

Pioneering the next wave

Writing it all down is a great beginning. It’s the foundation for a finished product that will be advanced by a marketing plan anchored to a brand.

Most of the speakers at Indie Author Day touched on the fact that indie books have a hard time finding a home in libraries and book stores large and small. There is a very good reason for this. Curated decisions at macro and micro levels are always informed by history and convention. What worked last year will continue to work in subsequent years until new factors change the conversation.

The Canadian Big Three and US Big Five publishing houses and their star authors rule the day and there is nothing wrong with this. Success models like these did not appear overnight; they started small and they grew over time. And they will continue to do so.

But times are changing and Indie authors in the digital age are in a unique position to pioneer the next wave by reaching where they could not before. Heavy oak doors barred, locked and guarded by agents and executives fall away when the author, published or not, has access to millions of readers via Internet platforms. Promoting  in the safety and comfort of one’s home is the best place to start building the profile that grows the brand.

What is brand?

Think of “brand” in terms of an author resume—for how can authors rightly expect to be taken up without an introduction? Many times we hear about great manuscripts going nowhere because the author (the brand) has little or no Internet presence.

The same happens when authors approach libraries and book stores. “Who are you?” and “What are your credentials?” takes the place of “What is the book about?” These questions are not unreasonable.

Making connections develops “cred”

Like a politician with a constituency, independent authors need followers as a first step to developing “cred” for the words they write. As I explained more than once on Indie Author Day, we can write the best novel, screenplay, short story or poem, but no one will know if we do not get out there and let people know.

Standing in front of our book tables trying to engage a busy parent or indifferent teen on their way to the stacks can be soul depleting. But after a handful of books-oriented events, we do get the hang of connecting on a person-to-person level. Many of us tempt with bowls of candies, free key chains, magnets, bookmarks or short story samples. When a conversation goes well, a book or two may actually be sold.

But it is the connection that is key. For every 50 business cards handed out, only a precious few will be retained; even fewer will be used to access the author’s buy links or website. But that is also okay. We’re not only building a constituency of readers and “cred”, but we’re also building a bridge to that first invitation to guest on a podcast, blog or cable show.

Seven years or five books

Publishing models in the Indie world present many formulas. My publisher says “seven years or five books” before anything happens. Whatever is served up, writers should not be discouraged. Time is an opportunity not just to write, but to build brand and the followers who support and advance it.

The times they are a changin’ opines one of my favorite clichés. For those willing to embrace the change, there is much to be done. I’ve only scratched the surface in a handful of words. The rest is up to you.

Go bravely, Pioneer.

Shine.

 

Toronto born A.B. Funkhauser is a multi-published genre-bending author who loves to market as much as she loves to hash out new material. She credits Writescape with helping her find her way. She publishes through Solstice Publishing.

Twitter https://twitter.com/iamfunkhauser

Facebook  http://www.facebook.com/heuerlostandfound